Jacob Juntunen
Office Hours: M 1-2 & 4:30-5:30 / T 11 - 3
Before Jacob Juntunen was a father heading the playwriting MFA at SIU and living in St. Louis, he was a 1970s kid in California watching PBS puppets. In the 1990s, Jacob was a high school dropout making sandwiches at a deli in Portland. The teachers at Clackamas Community College and Edward Albee saved him, and he got degrees from Reed College and Northwestern. In 1998 he saw a VHS tape of Tadeusz Kantor’s theatre with mannequins and he’s lived in Poland repeatedly to understand it. Now he collaborates with his students a bunch, and he founded Contraband Theatre in 2016. His plays include Professor House (a memory play with a ghost, or a ghost play with memories); See You in a Minute (a comedic pandemic play set in 2041; St. Louis Circle Theater Awards Outstanding New Play nomination, 2024), 18 Months After November (about violence after a contested election, written in Oct. 2019), Hath Taken Away (the Book of Job in the modern Midwest), In the Shadow of His Language (his vexed feelings about academia), Joan’s Laughter (a kick-ass play about Joan of Arc!), and his most-produced shorts, No Winter No Worries (funny), and Saddam’s Lions (not funny). Jacob’s work has been supported by Alliance Theatre, Eugene O’Neill Theatre Center (for puppets!!), Great Plains Theatre Conference, Last Frontier Theatre Conference, Sewanee Writers’ Conference, a Fulbright, the NEH, Krakow’s International Cultural Center, the Illinois Arts Council, and more. Jacob loves dramaturgs and has worked with Martine Kei Green-Rogers, Heather Helinsky, and Dan Smith. His plays and scholarship have been published by Routledge and Vintage. You can read his plays on New Play Exchange. His website has too many words, but, what can you do? He’s a writer.
Education
- A.A. Creative Writing, Clackamas Community College
- B.A. English, Reed College
- M.A. Theatre, Northwestern University
- M.A. Playwriting, Ohio University
- Ph.D. Interdisciplinary Program in Theatre and Drama, Northwestern University
Teaches
Playwriting, Play Analysis, Theater History, Politics of Performance, Performance Theory
Research and Creative Interests
Playwriting, U.S. theater, world twentieth-century political theater, Central/East European theater, performing objects
Awards and Honors:
- Professor House (a memory play with a ghost, or a ghost play with memories; St. Louis Circle Theater Awards Outstanding New Play nomination, 2026)
- Grant to write/workshop Casimir’s Many Returns Regional Arts Commission (RAC) Artist Support Grant 2025/26 (Public Presentation scheduled for August 2026)
- Grant to write and workshop Professor House Regional Arts Commission (RAC) Artist Support Grant 2024/25 (Completed: New script fully written; public workshop presentation)
- See You in a Minute (nominated) St. Louis Theater Circle Outstanding New Play 2024
- See You in a Minute (semi-finalist) Bay Area Playwrights Festival 2023
- Grant to Produce See You in a Minute Regional Arts Commission (RAC) Artist Support Grant 2023 (Completed: Full production process, from beginning to a 3-week run)
- Moment Work Instructor Certificate Tectonic Theatre 2019
- Puppetry Conference Eugene O’Neill Theater Center 2018
- Hath Taken Away (finalist) Source Festival (DC) 2016
- In the Shadow of His Language (finalist) AACT NewPlayFest 2015
- Hath Taken Away (semi-finalist) Eugene O’Neill Theater Center 2015
- Hath Taken Away (finalist) Activate: Midwest New Play Festival 2015
- Joan’s Laughter (runner-up) Best Original Play: BroadwayWorldColumbus.com 2014
- In the Shadow of His Language (finalist) Alliance/Kendeda Graduate Playwriting Competition 2013/14
- In the Shadow of His Language (semi-finalist) Princess Grace National Playwriting Fellowship 2013
- Fellowship (Adam Mickiewicz University, Poland) Fulbright Scholar 2011